Guitar Tuner
Tune your guitar, bass or ukulele with your microphone, or any instrument in chromatic mode.
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This tuner listens to your instrument through the microphone of your phone, tablet or computer and tells you whether each string is flat, sharp or in tune. Press Start, allow the microphone and pluck a string: the tuner recognises which string you are playing, shows its name, and moves the needle to show how far off you are in cents (hundredths of a semitone). When the needle sits in the green zone, within 5 cents of the target, the display turns green and the string is in tune. The frequency you are actually producing is shown underneath, which helps when a string is so far off that it sounds like a different note.
Frequently asked questions
How do I tune my guitar with this tuner?
What do the cents on the meter mean?
Why does the tuner show the wrong string?
Can I tune a bass, ukulele or other instrument?
What is the A4 reference and should I change it?
Is my microphone audio recorded or sent anywhere?
The needle jumps around or nothing is detected. What can I do?
Why is the low B of a 5-string bass slower to settle?
How does the reference tone help?
About Guitar Tuner
It covers the tunings people actually use. For guitar there is standard tuning (E A D G B E), Drop D, DADGAD, Open G and half step down (Eb Ab Db Gb Bb Eb); for bass, 4-string and 5-string with the low B; for ukulele, standard G C E A with the high G. Chromatic mode drops the presets and simply shows the nearest note for any sound, so you can use it for violin, cello, mandolin, wind instruments or your voice. Tap a string to lock the tuner onto it, which is useful for very slack new strings, and tap the speaker button under any string to hear a reference tone and tune by ear. The reference pitch A4 can be moved between 430 and 450 Hz for bands and orchestras that tune higher or lower than the usual 440 Hz.
For the best result, tune in a quiet room, hold the phone close to the sound hole or the amplifier, and pluck one string at a time, letting it ring. A firm pluck gives a strong start, but the reading settles as the note sustains, so watch the needle for a second or two rather than the first instant. Always tune up to the note: if a string is sharp, go below the target and come back up, because that seats the string in the tuning peg and it stays in tune longer. The sound is analysed live in your browser; nothing is recorded, stored or uploaded, and the microphone switches off as soon as you press Stop or leave the page.
Why 440 Hz, and how tuners learned to listen
For most of musical history there was no standard pitch. An A in Venice could be a semitone higher than one in Paris, and organs built in different towns could not play together. France fixed its diapason normal at 435 Hz in 1859, and an international conference in London in 1939 settled on 440 Hz, which the International Organization for Standardization confirmed as ISO 16 in 1975. Many orchestras still tune slightly higher, around 442 or 443 Hz, because a brighter pitch sounds more brilliant, and period instrument ensembles often tune to 415 Hz, about a semitone lower, to match the instruments of the baroque era.
Before electronics, musicians tuned with tuning forks, invented by the English trumpeter John Shore in 1711; he reportedly called his invention a pitch fork. The first electronic tuners were strobe tuners from the 1930s, where a spinning disc lit by a lamp flickering at the frequency of the note appears to stand still when the note is exactly right. Strobe tuners are still prized for their precision, and the scrolling band under this tuner's needle imitates them: it drifts left or right when a string is off and stops when it is in tune.
Software tuners like this one have to solve a surprisingly hard problem, because a plucked string is not a single frequency. It vibrates at its fundamental and at many overtones at the same time, and on low guitar and bass strings the second harmonic is often louder than the fundamental, which can fool a naive detector into reading the note an octave too high. This tuner uses the McLeod pitch method, published by Philip McLeod and Geoff Wyvill in 2005, which compares the sound with delayed copies of itself to find the repeating period, and is designed to pick the true period even when the overtones are strong.